How to be Machaut

So I’m writing this piece for Ian Richter and Hanna van Rooijen. It’s a saxophone and soprano piece, meant to be performable alongside Lori Laitman’s saxophone and soprano pieces. In fact, that’s how they’re going to premiere it in March of next year while Ian is still on his Fulbright). And it’s kinda weird. It’s …

Ian Richter playing Prufrock in Baltimore

On Feb. 13th Ian Richter is going to be rocking the heck out of The Love Song of J. Alfred Prufrock, as he often does. Churches in a lot of cities host short lunchtime concerts. It’s a great way to make a cultural contribution and engage office workers in their neighborhoods. But in how many …

Poems Without Names- full score

I’ve never done this with a piece before, but I’m doing it now. I finished Poems Without Names last night, and emailed the score off to the performers and the poet, Burton Raffel. I really hope he likes it. What I’m doing is this: Here’s the full score of Poems Without Names Let me know …

Saxophone Players are great.

One of the weird side effects of coming out of Peabody is that you get to know a fair number of classical saxophone players who are also bizarrely accomplished recording engineers. Ian Richter is just such a one. I’ve crossed his path before, but the first time I got to know him properly we were …