Tech, Philanthropy, Composing
I’ve been eagerly awaiting Dorico for years. When Avid orphaned Sibelius, the team, led by Daniel Spreadbury, decamped for Steinberg (of Cubase fame), and started building a brand new scoring application from scratch. I got the chance to interview Daniel for NewMusicBox, and he wrote us some very, very detailed answers, which our composer-readers will …
Continue reading “Daniel Spreadbury interview for NewMusicBox”
I’ve been working on this line of research for over a year, and the first publications are out today. Above, we’ve got video of the talk I gave at Seattle Pacific University last month for their Futures of Music Series, hosted by Brian Chin. And today NewMusicBox has published my first written account of this …
There’s been a lot of great discussion of arts entrepreneurship on NewMusicBox recently. There’s a lot of good stuff there, and also plenty I disagree with. The emphasis on arts entrepreneurship in education in particular has come under some fire. Teaching young artists this stuff is about helping them to survive in an unfair world. …
Continue reading “Arts Entrepreneurship is a Resistance Movement”
At New Music USA, where I work, we publish NewMusicBox. Coincidentally, NewMusicBox is turning 15 years old this month, and there’s a great series of posts examining the site’s history (in related news, you should make a donation to keep the site going for another 15 years). Occasionally I’ll contribute an article to the site, …
About a month ago David Smooke wrote a great piece for NewMusicBox called The Audience Does Not Exist. In it, he argues that imagining “the audience” in your head, and then trying to write music in order to please it, is basically a fool’s errand. He argues that it’s much more sensible to trust your …
And that means either that we’re a bunch of clever musicians on the leading edge of the new creative economy, or that we’re all desperately in need of cash. One of those two. It’s great to see so many of my Peabody classmates and collaborators trying something new, and I’m excited to see all of …
