Author: Kevin

53 More Projects

We awarded another 53 projects yesterday at New Music USA. It was the fifth round of project grants awarded under the platform that’s been the center of my life for the last few years. We’ve made it possible for fans to find new music through the granting process, made applying...

Even More New Grantmaking at New Music USA

We just opened a new grant program at New Music USA, providing general operating support (that is, unrestricted money) to small new music ensembles and venues based in New York City. If that’s you, go apply to the New Music Impact Fund. I’m writing about it because my team has...

Composing on Trello

I’ve never written a piece using a project management tool before. It’s almost certainly not for everyone, but I totally love it. The best part is being able to easily sort & rearrange my notes. With a paper notebook, or loose paper, you can’t move individual sentences around. I tend...

Working in the open as a composer

I live among the worlds of technology, art, and philanthropy. A lot of my job is based on learning lessons from one of those and figuring out how to apply them to the other two; it’s pretty fun. Usually I get to bring new insights to my job at New...

Ian is organizing a consortium

Hey there sports fans. Ian Richter is organizing a commissioning consortium for my new saxophone and soprano duet, Finishing The Rose. I wrote about my initial thoughts before Thanksgiving. I really like the way Ian is structuring the consortium, with very low fees for co-commissioners, and even lower for students....

Help me write my talk for the New Music Gathering

This morning my plea for help went up on NewMusicBox. I’ll let you read the whole thing there, but basically I’m looking for case studies of decisions new music types are making in their careers. I want to hear how you’re thinking about a decision, and see if the work...

How to be Machaut

So I’m writing this piece for Ian Richter and Hanna van Rooijen. It’s a saxophone and soprano piece, meant to be performable alongside Lori Laitman’s saxophone and soprano pieces. In fact, that’s how they’re going to premiere it in March of next year while Ian is still on his Fulbright)....

Economics at the New Music Gathering

I’m doing it again. I’m going to a conference full of composers and new music freaks to talk about the inflation curve. I love the New Music Gathering. It’s a great event full of love for the music, and for the people who make it. It’s fantastic. And this year...

Speaking at NY Music Tech

This Thursday I’ll be joined by some of my colleagues from New Music USA to present our platform at the NY Music Tech meetup. I’ll be speaking along with Madeline Bohm and Debbie Milburn, two of our developers, and Sam Reising, who does grantmaking and social media at New Music...

Kickstarter’s 5% Pledge

This week, Kickstarter announced their reincorporation as a benefit corporation. They’re not a non-profit, but this is still a significant move for the company. A key part of their new charter is a pledge to contribute 5% of their profits to charity. There’s a certain symmetry to that: Kickstarter users...

Con Vivo’s Fall Concerts

Since moving to Jersey City in 2009, I’ve become more and more involved in the city’s cultural scene, and I’ve been constantly impressed by the warmth, community, and raw talent that our city has to offer. A while back, Zach Herchen took over as artistic director of Con Vivo Music,...

Product management is at the forefront of regular management

I’ve been thinking a lot about why I care so much about product management specifically. And I think it’s because of something I believe about the future of work overall. Product management right now is an emerging field, largely in software, to do with (roughly) how to lead teams of...